Related Paintings of unknow artist :. | The Destruction of troy | Shepherd and Peasant Woman | Belisarius Receiving Hospitality from a Peasant Who Had Served under Him | Realistic Orange Rose | Portrait of Elector Charles I louis of the Palatinate |
Related Artists:
allart van everdingen
Allaert van Everdingen (bapt. 18 June 1621 Alkmaar - buried 8 November 1675, Amsterdam), was a Dutch Golden Age painter and printmaker in etching and mezzotint. Van Everdingen was the son of a government clerk at Alkmaar. He and his older brothers, the painters Jan and Caesar van Everdingen, according to Arnold Houbraken, were taught by Roelandt Savery at Utrecht. Allaert moved in 1645 to Haarlem, where he studied under Pieter de Molijn, and finally settled about 1657 at Amsterdam, where he died in 1675.
Paolo Veronese
Italian Mannerist Painter, ca.1528-1588 Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings.
Jan Dirksz Both
Dutch 1610-1652 Jan Dirksz Both (between 1610 and 1618, Utrecht - Aug 9 1652, Utrecht), brother of Andries Both, was a Dutch painter. From 1634 to 1637 he was taught by Bloemaert and the painter Gerard van Honthorst before travelling to Rome ca. 1637. There he met the French painter Claude Lorrain, with whom he collaborated on a series of landscape paintings. His landscapes are typically peopled by peasants driving cattle or travellers gazing on Roman ruins in the light of the evening sun The everyday life of the streets of Rome became a favourite theme in his works. On his return to Utrecht after the death of his brother in 1642, he stopped producing genre pieces and focused instead on pictures of Italian landscapes bathed in a warm, golden light. This theme was adopted by several other Dutch painters, the Italianites.